by Chris Connor
Chris Connor reviews Ponies…
In an era with a plethora of spy books, shows and films to choose from, bringing something genuinely fresh to the table is somewhat of a challenge, and this is especially true of the genre’s most recognisable era, The Cold War.
Ponies, created by Susanna Fogel and David Iserson does just this, bringing a fresh spin to a Moscow set 70s spy thriller that has more than a few shades of comedy. The titular ponies (persons of no interest), played by Emilia Clarke and Haley Lu Richardson are the wives of US CIA agents. The pair decide to become spies themselves, hilariously out of their depth at the height of US-Soviet tensions at the epicentre of the USSR’s espionage machine.
The comedic elements and performances really make this show stand apart from the wealth of imitators of the classic works in the genre. The timing of the comedy works with the pair’s handler Dane Walter (Adrian Lester), a wonderful foil and straight man, not used excessively and keeping proceedings grounded. The chemistry between Clarke and Richardson is a real delight, Bea (Clarke), more uptight and determined to do a good job, while Twila (Richardson) is a chaotic bundle of energy, an explosion waiting to happen.
Even if the tradecraft and spy elements aren’t quite as accomplished as in other shows, the tonal balance and performances make up for it. The period detail also shines through with the recreation of Moscow in the late 70s and the period soundtrack containing everything from Elvis Costello to Blondie, Fleetwood Mac and Todd Rundgren. It’s never short on entertainment value with more than a few mysteries to unpack at its heart as the pair look to stay ahead of the KGB and potential murder, learning their craft on the fly and proving surprisingly good at it.
Ponies is carried by its leads and sense of fun. Even if it’s not the most creative spy project in recent years, there is more than enough to make up for any shortcomings. With rumblings of a second season, there is a good chance this isn’t the last we’ve seen of Bea and Twila, with the potential for the show to run, having already proven a hit. Fans of the cast and spy thrillers will find plenty to enjoy.
Chris Connor
